Décoration & Artisanat

Glazed ceramic tealight holder shaped as a round smiling face, topped with a removable bright red fez. Place a small candle inside and the light escapes through the cut-out eyes and smile. Three colours to choose from — white, yellow, black — each wearing the same red fez. Handmade pottery: the crackle of the glaze and the shade of colour vary from one piece to the next.

A rectangular flat-lidded box cut from a thuya burl. The centre is left smooth to show the speckled figure; groups of incised grooves frame the edges and cross at the corners, and the sides are channelled the same way. Two sizes. Hand-polished varnished wood: the pattern of the burl changes from one box to the next.

A handleless tumbler, built and glazed by hand, with a deliberately dented wall: the shape is never perfectly round and the rim waves a little. White glaze over the whole piece, inside included, then a motif painted with a brush — hearts, palm trees, cacti, suns, chevrons, Berber diamonds, lines and dots, in black or in colour. Each tumbler is painted one at a time: the strokes and proportions vary from one piece to the next. The photographs show the range of motifs; tumblers are sold individually.

A cup and its saucer in glazed terracotta, shaped and glazed by hand. The glaze covers the upper part of the cup and stops short above the foot, leaving the raw clay bare; the saucer is dipped at an angle, one half glazed, the other left plain. The handle is a round ring attached by hand. Eleven colours: blue, navy, grey-blue, green, red, burgundy, plum, orange, mustard, black and ecru. Each piece is dipped by hand, so the dividing line and the depth of colour vary from one cup to the next.

A secret box carved from a thuya burl: no visible hinge or clasp, only panels and slats that slide. They have to be moved in the right order to release the lid and reveal the compartment inside. The top and edges are cut from a densely figured burl, the sides from straight-grained pale wood. Hand-polished waxed wood: the figuring differs from one box to the next.

A box turned from a thuya burl, swelling into a pebble shape and polished to a shine. A flowering branch runs right around the body, drawn in pale filet and set with dark red and green inlay: the figure of the wood passes under the pattern without a break. The flat lid, ringed with the same decoration, lifts by a turned knob. A decorative piece to display.

A long thuya incense burner: the cover, rounded into a half-moon and pierced with black metal-rimmed holes, opens so the sticks can be laid in the trough. Closed, it lets the smoke filter through the piercings along its whole length. The ends are turned from a burl darker than the body. Hand-polished varnished wood.

A hair barrette carved from a thuya burl, curved to sit against the nape and pierced with two slots for the stick. The turned, tapered stick holds the hair once it is slid through. Hand-polished waxed wood: the brown and honey flames vary from one barrette to the next.

A thuya incense burner on a plinth: a pyramid pierced with black metal-rimmed holes through which the smoke escapes. At the base, a hinged case held by a chased brass shell clasp — that is where the incense goes. Hand-polished varnished wood: the knots and grain differ from one piece to the next.

An apple turned from a thuya burl, set on the table to hold toothpicks. Lift it by the stalk — a piece of rough burl, left coarse against the polished fruit — and the top comes away: the toothpicks stand waiting in a hollow cut into the solid wood. The rings and flames of the grain draw the cheek of the apple — no two are alike.

A chessboard that doubles as the lid of a wooden case: squares of dark figured thuya alternate with pale wood, inside a moulded, rounded-edge frame. A drawer slides out of the side of the base and holds the complete set, turned light and dark pieces included. Game over, everything goes back in and the case becomes an object to display. Hand-polished varnished wood: the grain and shades differ from one piece to the next.

Hand-painted ceramic tagine in the Moroccan pottery tradition: a decorated cone resting on its matching dish, with a glazed knob on top. Six contemporary patterns to choose from — olive branches, colour strokes, anise-green chevrons, Berber mosaic, abstract garden, stylised face — a change from the usual motifs. Each piece is painted freehand, so the lines and shades vary from one to the next: yours will be one of a kind. A decorative and display piece, not intended for cooking.

Bracelet manchette composé de petites perles tissées formant des motifs multicolores, géométriques ou floraux, sur fond noir. Modèles assortis. Vendu à l’unité ; la photo présente quatre modèles.

Bracelet jonc ouvert en métal de teinte argentée, décoré de motifs géométriques ou floraux gravés. Motifs assortis. Vendu à l’unité ; la photo présente deux modèles.

Bracelet jonc ouvert en métal de teinte cuivrée, avec un décor torsadé et des extrémités arrondies. Modèles assortis. Vendu à l’unité ; la photo présente deux modèles.

Porte-clés avec anneau et chaînette, agrémenté de perles orange et de détails métalliques décoratifs. Modèles assortis. Vendu à l’unité ; la photo présente plusieurs modèles.

Porte-clés avec anneau, chaînette et médaillon rond illustré de motifs et de scènes évoquant le Maroc. Motifs assortis. Vendu à l’unité ; la photo présente plusieurs modèles.

Accessoire en forme de babouche miniature rouge et jaune, décoré d’une étoile dorée et muni d’un cordon pour l’accrocher. Vendu à l’unité.

Porte-clés avec anneau et chaînette, orné d’un médaillon coloré encadré de détails métalliques ciselés. Coloris assortis. Vendu à l’unité ; la photo présente plusieurs coloris.

Lampe lanterne marocaine en laiton ciselé, taille 26/10 cm

Rectangular box cut from thuya burl, the knotted part of the trunk with its speckling of small dark eyes. Close-fitting lift-off lid, no hinge, high-polish finish that brings out the contrast between pale veins and knots. Available in two sizes; the figure of the wood differs on every piece.

Aperitif server with four compartments that pivot out from under the lid, open into a cross and then close again to put everything away. The square lid carries a pierced floral panel, hand-carved and framed by an ebony inlay line. For olives, almonds or dried fruit, served dry.

Rectangular box whose every face, sides included, is carved into a chequerboard of small raised squares. The grid catches the light and makes the piece pleasant to hold. Thuya wood with speckled figure, polished finish. Available in two sizes.

A chessboard that folds into a case: open, it lays out squares of dark thuya burl and pale wood; closed, it forms a rectangular box held by a shell-shaped chased brass clasp. The sides are plain thuya framed in burl, the lid set on hinges. The turned light and dark pieces stow inside and travel with the board. Hand-polished varnished wood: the figuring differs from one piece to the next.

Rectangular casket in thuya burl with a richly inlaid lid: a black ebony frame, striped friezes alternating pale wood and ebony, and at the centre a floral design in blond citronwood. Two ebony lozenges set with mother-of-pearl complete the motif. The body, in plain burl, leaves the lid all the room.

Octagonal box in thuya burl, the lid ringed by a wide bevel of black ebony. At its centre, a rosette of arabesques in pale threading strewn with mother-of-pearl insets and their shifting sheen. The alternation of the burl's warm brown and the deep black of the ebony makes the character of the piece. Lift-off lid, thuya interior.

Rectangular box in thuya burl, dense and deeply figured. The lid carries a central arabesque motif in silver threading, set off by a few mother-of-pearl insets. Very high polish, reflecting the light and emphasising the figure of the wood. Lift-off lid, thuya interior.

Keyring in thuya wood cut in the shape of a letter, inlaid with small brass circles and mounted on a metal ring. Every letter is cut and sanded by hand: thickness and figure vary from one piece to the next. Please state the initial you would like when ordering.

Kohl bottle (mkahla) cut from a block of thuya, trapezoidal so it stands flat, with a short neck and a twisted turned-wood applicator that stows inside. Two finishes: plain, showing off the speckling of the burl, or decorated with crescents and inlaid brass motifs. A traditional object, also used as a small storage bottle.

Long thuya case with a sliding lid that comes away sideways in one movement. It holds three dice cut from the same wood, their pips marked with fine brass pins. With the case closed, the flamed figure of the lid runs on across the body.

Prayer beads (sebha) strung on a black cord, made of thuya beads turned and polished one by one, a deep russet brown with clearly visible veining. Turned cylindrical head, finished with three beads on knotted cords. Every bead has its own figure: the grain never repeats.

Square casket in thuya burl. The lid, topped with a black knob, is pierced with a geometric panel of interlaced stars; the same openwork runs as a band around the sides of the body, whose base is cut in scallops. The piece breathes: it suits soaps, scented candles or potpourri.

Octagonal box in thuya burl. The lid is decorated with a rosette of arabesques drawn in silver threading, punctuated with mother-of-pearl insets and reconstituted green and red stones. Body and lid are cut from the same block: the grain runs on from one face to the next. High-polish finish, lift-off lid.

Round box with a domed lid, cut from thuya burl. The top is inlaid with a scattering of flowers and scrollwork in pale wood, punctuated with mother-of-pearl insets. The base, left plain and blonder, sets off the dark brown of the lid. Lift-off lid.

Rectangular thuya box whose lift-off lid carries three pierced rosettes, hand-carved in the moucharabieh manner and framed by a pale wood inlay line. The openwork lets air and the scent of the wood through: handy for soaps, potpourri or small objects. Thuya interior, unlined.

Prayer beads (sebha) strung on a black cord, with pale beads of greyish blond wood whose grain shows as fine stripes. Turned cylindrical head and three finishing beads on knotted cords. A plainer, lighter version of the thuya sebha, more discreet than the red-brown tone.

Beldi cup in cream ceramic, decorated with a face drawn by hand in a single continuous line — eye, nose and mouth. Four line colours to choose from: terracotta, blue, green or red. Same shape as the other beldi cups, with the ridge at the waist. Wash by hand; the tray in the photograph is not included.

Beldi cup turned in terracotta, with vertical stripes hand-painted on the upper part and a white-glazed interior. The lower third is left as bare terracotta and a ridge marks the waist. Three colours to choose from: orange, navy blue or brown. Wash by hand; the tray in the photograph is not included.

Beldi cup turned in terracotta, glazed in a single tone on the upper part, the foot left as bare terracotta. A ridge marks the waist and the interior is fully glazed. Made and glazed by hand: the tone and the glaze line vary from one piece to another. Wash by hand; the tray in the photograph is not included.

Coffee cup and its saucer in Moroccan craft ceramic, half-dipped glazed terracotta. Made and glazed by hand; tones vary slightly from one piece to the next. Choose the colour.

Lampe de table artisanale marocaine en cuivre/laiton ajouré et ciselé à la main. Une fois allumée, les motifs découpés projettent une lumière tamisée et de délicates ombres décoratives. Grande boule ajourée à motifs floraux, montée électrifiée (cordon), sur socle rond. Pièce artisanale, finitions à la main.

Lampe de table artisanale marocaine en cuivre/laiton ajouré et ciselé à la main. Une fois allumée, les motifs découpés projettent une lumière tamisée et de délicates ombres décoratives. Forme flamme élancée à arabesques et rosaces, sur petit socle rond. Pièce artisanale, finitions à la main.

Lampe de table artisanale marocaine en cuivre/laiton ajouré et ciselé à la main. Une fois allumée, les motifs découpés projettent une lumière tamisée et de délicates ombres décoratives. Forme boule ajourée à motifs floraux, sur socle rond. Pièce artisanale, finitions à la main.

Lampe de table artisanale marocaine en cuivre/laiton ajouré et ciselé à la main. Une fois allumée, les motifs découpés projettent une lumière tamisée et de délicates ombres décoratives. Forme lanterne carrée ajourée à rosace centrale, sur socle carré à pieds. Pièce artisanale, finitions à la main.

Lampe de table artisanale marocaine en cuivre/laiton ajouré et ciselé à la main. Une fois allumée, les motifs découpés projettent une lumière tamisée et de délicates ombres décoratives. Forme goutte élancée à fleuron et arabesques, sur socle rond. Pièce artisanale, finitions à la main.

Lampe de table artisanale marocaine en cuivre/laiton ajouré et ciselé à la main. Une fois allumée, les motifs découpés projettent une lumière tamisée et de délicates ombres décoratives. Forme goutte à double fleuron et motif résille, sur socle rond. Pièce artisanale, finitions à la main.

Lampe de table artisanale marocaine en cuivre/laiton ajouré et ciselé à la main. Une fois allumée, les motifs découpés projettent une lumière tamisée et de délicates ombres décoratives. Forme goutte à motifs floraux et rosaces, montée électrifiée (cordon + interrupteur). Pièce artisanale, finitions à la main.

Lampe de table artisanale marocaine en cuivre/laiton ajouré et ciselé à la main. Une fois allumée, les motifs découpés projettent une lumière tamisée et de délicates ombres décoratives. Forme ogive à motif résille, col ouvert, sur socle rond. Pièce artisanale, finitions à la main.

Lampe de table artisanale marocaine en cuivre/laiton ajouré et ciselé à la main. Une fois allumée, les motifs découpés projettent une lumière tamisée et de délicates ombres décoratives. Forme ovoïde à fines arabesques, sur socle rond. Pièce artisanale, finitions à la main.

Lampe de table artisanale marocaine en cuivre/laiton ajouré et ciselé à la main. Une fois allumée, les motifs découpés projettent une lumière tamisée et de délicates ombres décoratives. Forme goutte élégante surmontée d'un fleuron, sur socle rond. Pièce artisanale, finitions à la main.

Double ceramic candle holder with interlaced sculptural loops, covered in a crazed amber-yellow glaze with honey highlights. Two candle holders brought together in one generous, graphic form. A one-off piece of Moroccan craft, hand-modelled and hand-glazed. Brings a warm, sunlit note to a room.

Arch vase in ceramic with a modern curved form, pairing an iced blue-white glaze with one side left as natural clay. Hand-drawn Berber symbols (tribal motifs and henna signs) tell of Moroccan craft. A one-off piece shaped and painted by hand, to stand alone as a sculpture.

Arch vase in ceramic with a contemporary curved silhouette, entirely hand-painted with a plant design of reeds and flowers on a pearly white ground heightened with green. Glossy glaze, a one-off piece turned and decorated by Moroccan craftspeople. A decorative object in its own right, as elegant empty as with a dried stem.

Hand-modelled and hand-glazed ceramic candle holder with organic curves and a deep emerald green glaze revealing the terracotta at the base. A one-off piece of Moroccan craft; every example is shaped individually. Two settings for slim candles. Sculptural height, ideal for dressing a table, a console or a mantelpiece.

Elegant hand-painted ceramic tea set: a lidded teapot, two glasses and an oval tray, decorated with small multicoloured hearts (red, yellow, green and black) on an ivory ground. A charming piece of Moroccan craft for serving tea with character. Every piece being hand-painted, the patterns may vary slightly.

Sculptural vase on a foot, with a deep mottled green glaze. A face is modelled in relief on the front: a ringed eye, a nose and a mouth formed from coils applied by hand. The upper edge is left irregular, as if torn. A one-off piece.

Vase with an hourglass silhouette — two swellings separated by a marked waist, topped by a straight neck — in white ceramic. Pink blooms and green foliage hand-painted over the full height. Narrow opening, suited to one or two stems.

Vase in white ceramic with a rippling, draped body, topped by a deep green glazed neck. Hand-painted blue-green flowers and a raised medallion engraved with Berber motifs in black line. Modelled and painted by hand, a unique example.

Double-gourd vase turned by hand, with a flamed glaze: deep burgundy runs over an ash-grey ground, and the pattern changes with every firing. The narrowed waist separates two bellies, the wider one forming the base. A one-off decorative piece.

Vase with two bodies: a white belly painted with a black tree and small yellow flowers, topped by a miniature jug glazed in yellow, tilted and joined by a white handle. A sculptural form, entirely hand-painted. The jug's neck is open and can take a stem.

Arch vase in white ceramic, opened by a wide half-circle. Poppies and wild grasses hand-painted on both uprights, and a face sketched in black line on the neck — eye, brow and red lips. A one-off decorative piece, as right empty as with a dried stem.

Small pot in white ceramic, the wall drawn in slightly at the middle, hand-painted with multicoloured hearts — red, black, orange, yellow, pink. Rim left irregular, matt finish. For holding brushes and pencils, or as a cover pot for a small plant.

Decorative jug in white ceramic, the body hand-painted with orange blooms and green foliage. The neck divides into two deep-green glazed spouts joined by a white handle — a sculptural form more than a useful one. A one-off piece: the decoration is redrawn freehand on each example.

Two jugs joined into a single piece, portraying a couple in wide-brimmed hats. Amber yellow glaze run through with green drips, hats glazed in deep green. Each body keeps its own handle and spout. Modelled and glazed by hand: the drips never repeat exactly.

Bottle vase in ceramic with a crazed mustard-yellow glaze and an asymmetric belly. A snake and a star are applied in relief, modelled from coils and then glazed. Narrow neck, marked shoulder. Shaped and glazed by hand, a unique example.

Jug vase in white ceramic portraying a draped silhouette: a folded arm forms the handle, the neck flares like a headdress. Wild flowers — lavender and pink blooms — hand-painted on the dress. Slightly crazed glaze, a one-off handmade piece.

Sculptural vase portraying the silhouette of a woman in a wide hat, draped in a cape. Deep flamed green glaze, letting the red clay show on the ridges. The hat forms the opening. Modelled and glazed by hand, a unique example.

Hand-painted ceramic decorative plate, laid out in concentric circles: a turquoise rim strewn with small green stars, orange fillets, and an indigo band around which a ring of line-drawn fish turns. The turquoise centre picks up the star motif. Painted one piece at a time — the drawing varies from one example to the next.

A round tray hollowed from a block of solid walnut, divided into two compartments by a spiral partition. Raw oiled wood revealing a deep grain. For aperitifs, dried fruit, or as a catch-all.

A hand-turned thuya wood incense burner on a foot. The sphere is pierced with dark inlays to let the smoke through, and the lid is topped with a carved finial. For incense, oud wood or scented resins.

A solid wood serving tray, hand-decorated with flowers and scrollwork inlaid in turquoise resin and outlined in silver threading. Two black metal handles. For tea, aperitifs, or as a decorative tray.

A bracelet strung on elastic thread, made of thuya wood beads turned and polished one by one. Warm honey tone, with the grain visible on every bead. Light and comfortable to wear.

A bracelet of wooden beads alternating honey and dark brown tones, strung on a braided cord with a sliding knot so it fits any wrist. Finished with two end beads.

A miniature reproduction of the traditional mill (rha) used to grind roasted argan kernels and make amlou. Turned from a thuya burl: removable bowl, spouted tray and wooden handle. Flamed grain and a wax-polished finish — a decorative piece made unique by the wood's own figuring.

Box turned from an Atlas thuya burl, pebble-shaped with softened curves. Close-fitting lid, flamed figure brought out by a wax polish. Thuya wood gives off its characteristic woody scent.

Hand-turned bowl in solid walnut with its matching saucer. Oiled finish, bringing out the light-and-dark contrasts of the grain. Ideal for olives, spices or dried fruit at the table.

A large bowl turned from a single block of solid walnut, with a domed lid and round knob. Generous thickness, flamed grain and an oiled finish. For presenting dried fruit, bread or sweets while keeping them covered.

A rectangular box in Essaouira thuya burl, with a deep, glossy grain. The lid is inlaid with an arabesque motif in silver threading, set off with mother-of-pearl and reconstituted green and red stones. Thuya interior, waxed finish.

An artisanal Moroccan wall mirror with a Moorish arch. Frame in hand-repoussé chased metal, set with ivory (bone) and red cabochons. Handmade, a one-of-a-kind piece. Ideal in an entrance hall, living room or bathroom. Dimensions approx. 35 × 25 cm.

An artisanal Moroccan wall mirror with a Moorish arch. Frame in hand-repoussé chased metal, set with amber and red cabochons. Handmade, a one-of-a-kind piece. Ideal in an entrance hall, living room or bathroom. Dimensions approx. 35 × 25 cm.

Bring a touch of Moroccan elegance to your table with this ceramic coaster, decorated with an authentic motif inspired by traditional zellige. Its refined design showcases Moroccan craftsmanship while protecting your surfaces from heat and moisture. Both decorative and practical, it fits perfectly into modern, bohemian or traditional interiors. A lovely gift idea or an authentic souvenir of Morocco.

Elevate your tasting moments with this hammered gold mug, elegant and timeless in design. Its hammered finish catches the light delicately, bringing a touch of refinement to your table. Ideal for savouring a coffee, tea or infusion, it combines beauty with comfort thanks to its ergonomic handle. Carefully selected by Marchan Gallery, this mug draws on the Moroccan art of living and suits contemporary and traditional interiors alike.

By NUUN CANDLES

Ceramic trinket dish shaped as a sea conch, hollowed into an almond and ribbed in a spiral towards the tip. Matt cream glaze, edges left grainy and flecked with gold. For the hallway, the bathroom or the desk. Made by NUUN CANDLES, in Tangier.

By NUUN CANDLES

A cube-shaped incense burner and tealight holder in openwork ceramic, with a graded pink and ochre glaze. Casts a soft, warm light through its cut-out motifs.

By NUUN CANDLES

NUUN scented candle in plant wax with a crackling wooden wick, in its glass jar with a gold lid. "To light up your moments of serenity."

By NUUN CANDLES

Ceramic dish shaped as a scallop shell, with raised radiating ribs and a matt cream glaze. The rim is left grainy and flecked with gold, like the sanded edge of a shell. For jewellery, a bar of soap or a few sweets. Made by NUUN CANDLES, in Tangier.

By NUUN CANDLES

Ceramic trinket dish shaped as a five-armed starfish, hollowed at its centre. Matt cream glaze and grainy edges flecked with gold, like a sanded shell. A soap dish, a trinket dish or a small decorative plate. Made by NUUN CANDLES, in Tangier.

By NUUN CANDLES

A small speckled white ceramic pot engraved with an inspiring word (Live, Hope, Love…), paired with a candle sculpted in the shape of a flower. A versatile pot: candle holder, jewellery dish or decorative object. By NUUN.

An arch-shaped Moroccan wall mirror framed in hand-repoussé and chased metal, set off with coloured glass (blue, red, yellow). An artisanal decorative piece that dresses a wall elegantly.

Oval tray with handles in varnished thuya burl — an artisanal piece with natural grain, ideal for serving.

Round Moroccan mirror — frame adorned with coloured cabochons and repoussé metal, handmade wall decoration.

A hand-painted resin souvenir depicting a fountain and Moroccan landmarks, marked "Morocco". A colourful, detailed decorative keepsake.

A keyring shaped like a miniature babouche in varnished red leather, hand-painted "Maroc" and a braided sole. An artisanal accessory and an authentic Moroccan souvenir.

Long dish with two compartments in glazed ceramic, with an abstract hand-painted decoration: a blue-green wash on one side, a broad red stroke on the other against a white ground. Two hollows to keep olives apart from their stones, or two appetisers. A one-off piece — the brushstroke never repeats.

Long dish with three compartments, in hand-painted ceramic: a red arabesque outlined in black in each hollow, the rim rhythmed with hatching and touches of red. The three hollows let you present olives, almonds and appetisers side by side. The decoration is redone piece by piece.

Small decorative ceramic tagine, hand-painted: black on an ecru ground, with panels of arabesques, lattices and scattered dots on the cone, and a rhythmed band on the base. The lid knob is glazed black. A decorative piece — no cooking, no food contact.

Hand-painted pocket mirror — a compact enamelled metal mirror with a colourful floral motif.

Wooden comb engraved "Morocco" — a gentle artisanal comb for hair and beard.

Round mirror ringed in chased metal and set with coloured stones — decorative Moroccan craftsmanship for the wall.