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277 products
Glazed ceramic tealight holder shaped as a round smiling face, topped with a removable bright red fez. Place a small candle inside and the light escapes through the cut-out eyes and smile. Three colours to choose from — white, yellow, black — each wearing the same red fez. Handmade pottery: the crackle of the glaze and the shade of colour vary from one piece to the next.
By NUUN CANDLES
NUUN ambiance spray for the home and linen, handmade in Tangier. A few sprays on curtains, cushions or household linen are enough to release a lasting fragrance. Three scents: Oud in 100 ml, Orange Blossom and Jasmine in 50 ml. Alcohol denat. — flammable, keep out of reach of children.
Sac à main en crochet fait main (fil de coton), à la forme carrée structurée. Son anse ronde rigide se tient à la main ou au creux du bras, et un gland tressé vient souligner le devant. Pièce d'artisanat marocain, assez spacieuse pour les essentiels du quotidien. Choisissez votre couleur.
100% natural prickly pear seed oil in a 15 ml glass bottle with a dropper. One of Morocco's rarest oils: it takes a considerable amount of fruit to yield a few millilitres, which is why it costs what it does. Rich in vitamin E, it is traditionally used as an evening treatment to firm the skin and soften fine lines, scars and stretch marks. Three or four drops on a clean face, massaged in lightly until absorbed. The 15 ml size is a way to try it before the 30 ml bottle, and travels easily.
A rectangular flat-lidded box cut from a thuya burl. The centre is left smooth to show the speckled figure; groups of incised grooves frame the edges and cross at the corners, and the sides are channelled the same way. Two sizes. Hand-polished varnished wood: the pattern of the burl changes from one box to the next.
A handleless tumbler, built and glazed by hand, with a deliberately dented wall: the shape is never perfectly round and the rim waves a little. White glaze over the whole piece, inside included, then a motif painted with a brush — hearts, palm trees, cacti, suns, chevrons, Berber diamonds, lines and dots, in black or in colour. Each tumbler is painted one at a time: the strokes and proportions vary from one piece to the next. The photographs show the range of motifs; tumblers are sold individually.
A cup and its saucer in glazed terracotta, shaped and glazed by hand. The glaze covers the upper part of the cup and stops short above the foot, leaving the raw clay bare; the saucer is dipped at an angle, one half glazed, the other left plain. The handle is a round ring attached by hand. Eleven colours: blue, navy, grey-blue, green, red, burgundy, plum, orange, mustard, black and ecru. Each piece is dipped by hand, so the dividing line and the depth of colour vary from one cup to the next.
A secret box carved from a thuya burl: no visible hinge or clasp, only panels and slats that slide. They have to be moved in the right order to release the lid and reveal the compartment inside. The top and edges are cut from a densely figured burl, the sides from straight-grained pale wood. Hand-polished waxed wood: the figuring differs from one box to the next.
A box turned from a thuya burl, swelling into a pebble shape and polished to a shine. A flowering branch runs right around the body, drawn in pale filet and set with dark red and green inlay: the figure of the wood passes under the pattern without a break. The flat lid, ringed with the same decoration, lifts by a turned knob. A decorative piece to display.
A long thuya incense burner: the cover, rounded into a half-moon and pierced with black metal-rimmed holes, opens so the sticks can be laid in the trough. Closed, it lets the smoke filter through the piercings along its whole length. The ends are turned from a burl darker than the body. Hand-polished varnished wood.
An apple turned from a thuya burl, set on the table to hold toothpicks. Lift it by the stalk — a piece of rough burl, left coarse against the polished fruit — and the top comes away: the toothpicks stand waiting in a hollow cut into the solid wood. The rings and flames of the grain draw the cheek of the apple — no two are alike.
A thuya incense burner on a plinth: a pyramid pierced with black metal-rimmed holes through which the smoke escapes. At the base, a hinged case held by a chased brass shell clasp — that is where the incense goes. Hand-polished varnished wood: the knots and grain differ from one piece to the next.
